My great-grandfather on my mother's side was born in Germany. He died when I was in the seventh grade, but I've always felt close to him somehow. I think it might be because of all my relatives, he is the one I most physically resemble.
In high school, we had to complete a family history project, so I found all the information I could about Poppet's family, which wasn't much. But what I did discover is that when Hitler came to power, my great-great-grandfather shipped both of his sons out of Germany--one to America and one to Australia. My great-great-grandfather owned huge textile factories; my great-grandfather was sent to America to learn more about American textile manufacture. This didn't happen, however.
Maybe it's some errant gene, but I've always found myself fascinated by textiles. Not clothes, per se--mainly the highly patterned types of textiles that go into furniture, wallpaper, etc. Last summer I found myself creating patterns that would make interesting fabrics, but then I had absolutely no idea what to do with them. I started learning about screenprinting, but that seemed more suited to single images, like t-shirts, and not for repeating patterns. I gave up, more than a little frustrated.
This summer, as I began to prepare for a new course I'll be teaching this fall, Digital Illustration and Typography, I wanted to make a side-by-side comparison of drawing in Illustrator and in Corel Paint. But I couldn't think of anything to work on, so I grabbed one of my oldest son's books--a collection of drawings by anime artists. I worked on a couple of figures, but I kept getting drawn to the work of one artist in particular, who placed his characters against these highly patterned backdrops. I abandoned the characters and starting working on the backgrounds instead.
About the same time, I stumbled on an article in ReadyMade Magazine about an illustrator who had been commissioned to design printed fabric for the furniture in a children's art center. Unfortunately, the article didn't include any information on the manufacture of the fabric, and I found myself getting frustrated once again.
Luckily, I had to revise my book order for the fall. One of the texts I had chosen had gone out of print in the US, and the publisher sent me a pdf of a new title. I didn't want to search through the pdf for the ISBN number, so I went to Amazon and did a search there. And after I got all the info about that book, I saw the list of recommendations. Among them was a book on digital textile printing. I don't know how I didn't stumble on that particular combination of words during my previous search, but plugging them into google produced a mother lode of useful returns, including some great companies for outsource printing, Spoonflower in the US (
) and Stoffn in Germany (
)
And now I am eagerly awaiting a test swatch of my first fabric from Spoonflower. Here's a peek at the pattern:

Needless to say, I can't wait.